Empty Canvas
41 stories
Aug 25, 2026 Darcey Fleming: The Knot That Held the Field Farmers cut the knot, the twine goes to the bonfire. Darcey Fleming collects what held the harvest together and weaves i... Aug 25, 2026 The Village That Wove Its Own Map A drone photographs the round adobe compounds of northern Ghana; the plan travels to Bolgatanga; eight weavers fill the ... 
Aug 24, 2026 Xanthe Somers: The Vessel That Talks Back Woven clay glazed until it reads as fabric; titles borrowed from an 1868 weaving poem; a basketry technique carrying the... Aug 24, 2026 Jane Yang-D'Haene: The Jar That Waited Thirty years in New York before she first touched clay; a decade later her moon jars sit in the Smithsonian — textured... Aug 24, 2026 The Not-To-Do List A chemist in Paris taught him to calculate a glaze that behaves the same way every time. He used it to write out the opp... Aug 5, 2026 Mona Hatoum: The Architecture of Unease A glass web floats overhead, a red world map rolls underfoot, and a metal tower forgets how to stand. Across three rooms... Aug 5, 2026 Anish Kapoor: The Void With a Body A black floor becomes a fall; a red membrane presses against brutalist concrete. At the Hayward Gallery, Anish Kapoor gi... Jul 19, 2026 Peter Fischli: Signals Without a Script Grey poles, loose cables, lights in white and orange that refuse a timetable. At the Fridericianum, Peter Fischli turns ... Jul 19, 2026 Video Craft: When the Screen Needs a Loom Encoding, looping, sampling—returned to cloth and clay. At San Francisco's Museum of Craft and Design, nearly twenty a... Jul 19, 2026 Olafur Eliasson: The Rainbow That Needs You A yellow corridor that drains colour from your hands. A rainbow that exists only from your angle. After Singapore, Auckl... Jul 19, 2026 Hard Feelings: The Whitney After the Shout Fifty-six artists, no manifesto title, a hang critics call roomy or sublime. The 2026 Whitney Biennial does not shout. I... Jul 19, 2026 Jongjin Park: Paper That Remembers Fire Tissue paper dipped in porcelain slip, stacked by the thousand, then fired until the paper vanishes. What remains is roc...
Aug 24, 2026 Xanthe Somers: The Vessel That Talks Back Woven clay glazed until it reads as fabric; titles borrowed from an 1868 weaving poem; a basketry technique carrying the... Aug 24, 2026 Jane Yang-D'Haene: The Jar That Waited Thirty years in New York before she first touched clay; a decade later her moon jars sit in the Smithsonian — textured... Aug 24, 2026 The Not-To-Do List A chemist in Paris taught him to calculate a glaze that behaves the same way every time. He used it to write out the opp... Aug 5, 2026 Mona Hatoum: The Architecture of Unease A glass web floats overhead, a red world map rolls underfoot, and a metal tower forgets how to stand. Across three rooms... Aug 5, 2026 Anish Kapoor: The Void With a Body A black floor becomes a fall; a red membrane presses against brutalist concrete. At the Hayward Gallery, Anish Kapoor gi... Jul 19, 2026 Peter Fischli: Signals Without a Script Grey poles, loose cables, lights in white and orange that refuse a timetable. At the Fridericianum, Peter Fischli turns ... Jul 19, 2026 Video Craft: When the Screen Needs a Loom Encoding, looping, sampling—returned to cloth and clay. At San Francisco's Museum of Craft and Design, nearly twenty a... Jul 19, 2026 Olafur Eliasson: The Rainbow That Needs You A yellow corridor that drains colour from your hands. A rainbow that exists only from your angle. After Singapore, Auckl... Jul 19, 2026 Hard Feelings: The Whitney After the Shout Fifty-six artists, no manifesto title, a hang critics call roomy or sublime. The 2026 Whitney Biennial does not shout. I... Jul 19, 2026 Jongjin Park: Paper That Remembers Fire Tissue paper dipped in porcelain slip, stacked by the thousand, then fired until the paper vanishes. What remains is roc...